Showing posts with label cognition. Show all posts
Showing posts with label cognition. Show all posts

Saturday, January 21, 2012

Prize Story Live in Portland

Here, below, see the promised details on a reading of  "Diode," a new and improved adaptation of Part I of the book-in-progress, Diode's Experiment: A Box Turtle Investigates the Human World. We were delighted that the story won the 2011 first prize in the Kay Snow Award nonfiction division. (The response of the judges' table at the award ceremony was a unison yell of "DIODE!" Hilarious.)

I'll be reading on Wednesday, February 1, 2012, seven o' clock, at the Blackbird Wine Shop, 4323 NE Fremont Street, Portland, OR 97213, (503) 282-1887, along with wonderful writers Sue Parman, Fred Melden, and Sharon Davis Appleman. The program is a mix of stories and poetry, plus the deliciousness of deli plates and glasses of wine to buy for accompaniment. The First Wednesday series, short of those options, is free.

And here is another shot of Diode herself, still with me after forty years, staring at me with her why-are-you-confronting-me-with-that-camera-again expression. She has climbed up on a shelter in the turtles' favorite spot (the favorite, that is, except for summertime afternoons outside): the lab's six-foot garden window, which looks out at the backyard and rear deck. I had an acrylic barrier made for the room side of the space, so, if you're wondering, it's safe.

DIODE!

Tuesday, November 15, 2011

How Turtles Draw

Art by apes and elephants, with varying degrees of human assistance, has captured the interest of scientists, animal lovers, and the art world. The turtles of Chelonian Connection, an independent laboratory exploring the cognitive abilities of turtles for over thirty years, are the first reptiles to learn to draw. This activity provides a favored behavioral enrichment for the turtles of the lab. The pancake tortoises of the study group first publicly demonstrated the procedure at the Oregon Museum of Science and Industry’s 2008 Reptile and Amphibian Show and have participated in the lecture-demonstrations each subsequent year. Other species creating drawings at the lab include eastern and ornate box turtles and a Russian tortoise.

How do the turtles draw? 
  • The human assistant mounts paper on a vertical surface or an easel, and the turtle paddles through the air on the assistant’s hand, pushing with the other feet on available parts of the hand (clarifying the direction of movement) and inclines her head to indicate a marker (usually black or red).
  • The turtle steers in the same way toward the paper and touches it with her beak to indicate the starting point for the first line.
  • The assistant marks the spot.
  • The turtle returns to the starting spot for the first line and each of the following lines and stretches out her neck, drawing her beak across the paper in a straight line or curve.
  • Eastern box turtle Diode pushes with
    considerable pressure against the paper.
  • The assistant, keeping the hand steady, watches the direction and shape of each line and reproduces it with the marker. Only if the indicated line is stretching beyond the turtle’s neck reach does the assistant move the supporting hand in the direction the turtle is indicating.

Subjects, among others, include animals, flowers, houses, people, and abstract designs. The figurative drawings are completed with lines in a seemingly random order; rarely does the assistant or viewer guess the subject until the drawing is nearly done, unless the turtle is looking at a model.


Diode and pancake tortoise Willow pose by two of the
pumpkin faces drawn by them and the other chelonians
of the lab, one feature per individual.

Further discussion of the turtles’ art and other accomplishments will be found in forthcoming book Diode’s Experiment: A Box Turtle Investigates the Human World (working title). Diode’s Experiment tells the story of the thirty years of mutual explorations of mind with these socialized turtles. Who could have known that turtles could show such flexible behaviors and creativity?

Chelonian Connection
Hillsboro, Oregon


Wednesday, August 31, 2011

PANCAKE TORTOISES AT OMSI and ANGEL REVEALS SECRETS OF MIND

Our Lecture-Demonstration at the OMSI Reptile and Amphibian Show
A pancake tortoise meets one of many visitors. OMSI, 2009
Photo by Sharon Appleman

Saturday, September 3, 2011, we present our fourth annual lecture-demonstration at the Oregon Museum of Science and Industry’s Reptile and Amphibian Show, always on Labor Day Weekend. Other years the show has tallied around 3,000 visitors a day. Our special event is all about the unusual adaptations and accomplishments of the “amazing” East African pancake tortoises in our lab. We (including seven pancake tortoises from the lab) will be in a room near the main exhibit hall between 9:30 and 1:30—Saturday only.
      The computer slide show comes to life when a pancake tortoise meets you, perhaps examining your T-shirt design or jewelry and greets you bolder ones with a turtle-to-turtle greeting: a nose-to-nose push. They will demonstrate their balloon play, mirror play, and procedure in drawing pictures. Some of the better turtle art will be on display.     
      It’s always fun, though tiring, for all of us—the reason we’re limiting our time this year. Come get acquainted while we’re there! There’s more information and a link back to our blog on the OMSI site:  http://www.omsi.edu/reptileshow

Revealing Secrets: Angel Finds a Way
Until I got irritated at reading a whole book at my desktop computer, I was reading a galley version of dolphin researcher Diana Reiss’s forthcoming book, The Dolphin in the Mirror, a very interesting narrative. Her dolphin book, scheduled to appear in stores September 20, is one of a handful for the general reader on long-term studies of captive animals’ cognition that are written by the principal investigator. Thus, like books about Alex the parrot, Koko the gorilla, Kanzi the bonobo, and first signing animal Washoe the chimpanzee, it is a cousin to our Diode’s Experiment. (Funding for behavioral research is tenuous, and a rare study is able to continue for a whole career, so even Diana was not able to study the same dolphins throughout her thirty years of research.) Diana is also featured in the December 2011 issue of Discover magazine.
      Back in the mid eighties, Diana introduced me to her research dolphins (including Circes), John Lilley’s dolphins in adjacent pools, and the set-up for her research, at that time recording and studying dolphin contact calls. Both of us have studied our animals’ vocalizations and mirror self-recognition since the eighties—both with success—but more about the turtles’ sounds and mirror responses another time.
      In her book Reiss notes—and I agree—that if you pay attention to the animals’ interactions, both among themselves and with you, they “often reveal their secrets.” One way they begin this revelation is to show their behavioral flexibility and planning as they try to communicate with a human with whom they’re bonded (and, uh, from whom they want services.) If a lab turtle finds a water dish is, shall we say, “used,” I often see the turtle balanced on the edge of the dish, head bent straight down, staring into the water until I come to change it.
Angel in the Secret Garden
      Here’s a recent example from our lab. Angel, one of Diode’s daughters, found a way to request audio services from the floor. More often, a turtle will steer in hand to the audio equipment or a CD and give it a tap with the beak: the direct approach. This time Angel was walking on the lab floor.
      When I had reorganized books and speakers into a newly-purchased bookcase, I had placed the speakers at either end of the bottom shelf, only three inches above the floor. Angel walked back and forth in front of the long bookcase and stared up at the speaker nearer me each time she passed it, then glanced to my face. After a while I got the idea and put on the next CD.

Thursday, June 16, 2011

“unwritten language / unnamed places": SLEUTHING THE TURTLE MIND

I can name most of the geographic places where this decades-long adventure of communication with other species spun out from its beginnings near Lake Lemon in southern Indiana: Indiana University, Chicago, Milwaukee, the San Francisco Bay Area, western Oregon.
In Oregon our wild foot-on-the-grass place on a hill with its slice of view looking out toward the Coast Range is named, yes, by a street address on Val Street and a number on a tax map, but for us it’s the home-cum-lab where—with the fifteen turtles—I continue learning ways to understand that unnamed "place" or nonplace rooted somehow in the turtles’ petite bodily brains. It’s called by the amorphous word “mind.”
            By today’s techniques in neuroscience our understandings of the workings of the human brain are pulling out of their infancy; in nonhuman animals, without language, most of the brain’s workings and relations to behavior and thought are still stuck in black-box mode. We do know some relevant things, though. Neuroscientists know that, in rodents at least, exercise and behavioral enrichment increase the weight of neurons and the number of their connections. That makes sense. The socialized turtles of the lab have as many experiences in and out of the lab as possible; and, speaking most generally, their responses and learning suggest plasticity in the brain, even for older animals. (We have to remember that not long ago our species was still thinking that “old dogs can’t learn new tricks”—we older folks can!—and that birds lost their neural plasticity after a defined early time to learn songs.)


The turtles slide their beaks on a vertical surface to make the
drawings they demonstrate at the Oregon Museum of
Science and Industry.

            Our Chelonian Connection lab has looked at turtle cognition from the other—no sacrifice, no cutting—side: communicative behavior and learning.
            For me learning to communicate with a turtle started back in 1969 near that Indiana lake, braking hard for a box turtle crossing in front of my then-husband and me. This is how I’ve put it in book-in-progress Diode’s Experiment: A Box Turtle Investigates the Human World.


Now, forty years older and wiser in the ways of animals and the pressures of our civilization on their very existence, I would have seen him to safety and let wild be wild. But there I was, bending over the fleeing turtle with a cardboard box in my hand. Wanting that gorgeous box turtle felt like raw instinct, not a rational decision. I leaned down and picked him up.
. . . . .
His eyes, a vivid male red, seemed to be sparking with rage, his whole body now a self-contained vessel of wildness seeking a just freedom. He strained toward the other side of the road and the woods beyond, the strength of his muscles signaling his desperation to escape. With his long neck stretched taut toward the trees, he struggled on—so bold, so strong—as he tried to evade my grasp by pushing his feet against my hands. I would not be deterred; he was strong, but I was stronger. I held tight. What I didn’t know then was that his willful shoving against my hand and paddling in the air toward the woods would be the key to our learning to understand each other.

            What we noticed right away was that this turtle was curious; his curiosity calmed him and pushed his body to control us humans in his intent to examine everything.

. . . . .
            As days went by, Terry quickly lost his fury, but not his determination to go where he wanted to go whenever I picked him up. By himself, with four feet to the floor, he could hardly see the most interesting things: our strange possessions—books, instruments, pictures, clothes—and what was going on outside the window: all scaled to human height. His strong visual and kinesthetic cues gave me instructions for his flight of hand, and I, becoming curious about his aerial explorations, followed them.
            He led with his head, neck stretched out like the lead goose in flight, straight on till morning or veering to the side for the flock behind him—in this case, just me. Sometimes he would look up or down, which he emphasized by stretching his front or back legs tall, tilting his body one way or the other; and I would move my hand for the change in elevation.
 
This pancake tortoise steers down.


            His feet worked the kinesthetic engine. He pushed his back feet against my hand—right foot to go left, left foot to go right, like paddling a canoe. I was the canoe, and the strength of his strokes moved my feet to his bidding.

While he pushed with his back feet, his front feet echoed the motion as he paddled in the air. The pattern was the same: right foot to go left, left foot to go right. To go straight ahead he pushed and paddled with pairs of front feet or back feet or all limbs at once. Sometimes, to feel his actions more precisely, I held my free hand in front of him so he could grasp it with his front legs, making his pivoting unmistakable. 

Straight ahead!


            With practice it became easier for me to interpret his movements. As I caught on, like a horse in training learning to respond to a bit of pressure here, a bit of pressure there, his steering became more subtle. With my human hubris dropping away, I was the horse, the elephant, the Hogwarts broomstick. He was the rider, the mahout, the boy wizard.

            That was only the beginning: a turtle’s natural response refined to communicate his wishes to me and my learning to interpret it. How frustrating it must be to captive turtles to be held tight when they are struggling to go somewhere of their own choosing!
            Years later, we continue to learn from each other, for we have built a variety of more precise means of communication on top of that foundation. Yielding power leads to an interspecies bond stronger than food to the mouth, and other researchers in interspecies communication say too what I have learned: that building a bond is essential to true communication and motivation to learn.

Monday, December 27, 2010

What Are Chelonians, and What Is This All About?

Chelonians are TURTLES, those reptiles with shells, just with a fancier word. (You can use the same word to refer to turtles, as in our lab name, "Chelonian Connection.")

So welcome to our brand new turtle blog! It will introduce our 30-plus years of surprises working with socialized turtles in the Chelonian Connection cognitive lab, now near Portland, Oregon.

Diode thanks you for coming.

What's going to be in it? Look for photos, stories, background, updates on the Ts' doings and accomplishments, samples from our book-in-progress, Diode's Experiment: A Box Turtle Investigates the Human World, and updates on the book, other publications, and appearances. Look too for information about the species that make up most of our study group: North American box turtles (Terrapena carolina and T. ornata) and the strangely flat and fast African pancake tortoises (Malacochersus tornieri).

These turtles have shown their stuff, including balloon play and animal art, at library and class demonstrations and invited lecture/demonstrations at San Francisco State University, the Oakland Museum, and our popular pancake tortoise showcase featured each year at the Oregon Museum of Science and Industry (OMSI). We're on the leading edge of exploring cognition from the behavioral side in these understudied animals. Turtles, it turns out, have more cognitive potential than anybody--including me--would ever have dreamed.

Here's a quick intro to Diode, pictured above and--hardly visible--the dark blob in my hands in our profile picture (taken by Dr. Jane Steig Parsons but squeezed down by me). Diode is an eastern box turtle, called "Grandma" when first seen; She's been with me since 1971. She's the mother of six of the turtles in the group. (How old is she? Probably over 70.)

Diode is the hero of the book and of the blog. In 1979, by her charade showing me she understood classifications of objects, she jump-started the research and set me on a path away from teaching music lit in universities and back to grad school in animal behavior and related fields.

If you'd like a quick catch-up on the turtle project, e-mail me and I'll put you on the list for current issues and the several back issues of the Chelonian Connection Newsletter, which the blog will eventually replace.